SCENERY PAINTING FOR THE AMATEUR MUSICAL THEATRE and PANTOMIME
TREASURE ISLAND
Designed and painted by Brian Willis. Sets constructed by Sean Magee
Will be performed by Coleraine Provincial Players, (2010)
THIS PAGE UPDATED ON January 30, 2010
" ON BOARD" Page one

POSSIBLE ELEMENTS which could go into this scene.

Ships wheel Practical
Apple Barrel (To hide behind) Hardboard painted trompe l'oeil
This is a short scene  

Jib

 
Coils of rope  
Guns No - don't think so
Bell  
Barrels  
Wooden cases  
Deck Chair  
   

BACKCLOTH (See previous scene - "Going on Board")
Backcloth 17 feet wide.
Eyeline is three feet above the floor. So that I can show decking and hatches etc.
More or less a single point perspective, which can easily be seen- just follow the lines of the decking.

I have not bothered to draw the layout as it is only a backcloth with a "Barrel" in front of it.
GROUND ROW  
APPLE BARREL Hardboard painted trompe l'oeil

UPDATE 14 AUGUST.... This scene OK'd by the Producer.
And below is a photo of the completed backcloth, with Sean standing looking pensive for scale. Actually it looks as if he is about to cut his leg off, even though he is not playing Long John Silver.

NOTES ON THE ABOVE PAINTING

Cloth is 16.5 feet wide and 11.5 feet high.
This is a single point perspective, see the decking., but I have also put in some aerial perspective too by putting a layer of white "mist" over the back Poop Deck. Also to make the barrel stand out I have put a mist around the outline. This did not work very well and makes the barrel look as if it is floating or has some magical properties. If I have time I shall change that - although you can fiddling about with a painting for ever. "A painting is never finished - just abandoned" Basically a brown scene, I have tried to introduce little splashes of colour here and there ... the red "rust" below the collar on the foreground mast, the green hatch, the yellow ropes, the green sea through the gunwales. . Note I have also put in white splurges where sea gulls have been sitting!

We are using this backcloth for two separate scenes... "Going on Board" and "On Board" which has left me with a dilemma re what to do about the sails. I have decided we will have the sails furled even when at sea, because the sails further up the mast (which you can't see) are all in use and opened out when sailing!!

Ideally, if we were only using this cloth for one scene, I would have allowed myself some dramatic clouds but they would have been too obvious when used twice. However I have put in some mauve clouds bottom left to add some colour.

Shadows help the impression of depth - especially on the masts. Overlaps help the impression of depth. Every element in this scene overlaps another. Contrast help the sense of depth - the white edge of the furthest mast standing in front of the poop deck.

I have had to be reasonably accurate with the ropes as the "Tall Ships" visited Belfast a couple of months ago and literally half the population of Northern Ireland visited them so there's a lot of knowledgeable people out there!

This cloth took longer to paint that anticipated... about 25 hours in total. Including many hours painting the ropes.

Note the hoops on the foreground barrel are in perspective.

And on the right a photo of the "Native Dancers" on this set.
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