SCENERY
PAINTING FOR THE AMATEUR MUSICAL THEATRE and PANTOMIME
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Second page of painting the backcloth | |||
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put the finished painting in the corner of this window, first reduce
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PREPARATION
AT HOME FOR THE "KING AND I" BACKCLOTH |
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I researched Thailand architecture, temples and foliage through guide books, travel brochures, Internet, videos of "King and I", and photos from friends who have visited that country. Chatted with the producers and read the script | |||
From rough pencil sketches emerged a final draft which I drew on a sheet of paper to the scale of 1cm to the foot. Yes an apparent silly mixture of old and new measurements but it works. This pencil sketch is my "treatment" and I refer to it when working on the details. I put it into a clear pocket to preserve it. | |||
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MY PENCIL TREATMENT
SKETCH FOR THIS CLOTH |
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The
original of this drawing is 20cm x 11cm but will not be to that scale
on your browser. There is more contrast in the original too, but this
has been lost in getting it on the web. |
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Notice in this sketch :- |
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Squaring this drawing | |||
I photocopied this pencil sketch and on the copy, thickened the main outlines with ink. I then filled in each outlined area with one of four colours, a different colour to each area. THE COLOURS ARE NOT SIGNIFICANT Any four contrasting colours will do. They are there to help when marking the big canvas. (Did you know you only need four colours to mark, say, a map of separate countries and none of the same colours need touch?) On this strange coloured copy I drew a grid of lines one centimetre apart, and numbered them along the edges of the sketch both vertically and horizontally. This gave me my squares. CLICK to see this grid drawing |
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